Wolfhound Century

Investigator Vissarion Lom has been summoned to the capital in order to catch a terrorist --- and ordered to report directly to the head of the secret police. A totalitarian state, worn down by an endless war, must be seen to crush home-grown insurgents with an iron fist. But Lom discovers Mirgorod to be more corrupted than he imagined: a murky world of secret police and revolutionaries, cabaret clubs and doomed artists. Lom has been chosen because he is an outsider, not involved in the struggle for power within the party. And because of the sliver of angel stone implanted in his head. The book trailer: http://youtu.be/9LhRbXG3Rt8 Peter Higgins read English at Oxford University and Queen’s, Ontario. He was a Junior Research Fellow at Wolfson College, Oxford and worked in the British Civil Service. His short stories have appeared in , , , and , and in Russian translation in the St. Petersburg magazine . He lives with his family in South Wales. Review About the Author “Sentient water, censored artists, mechanical constructs, old-fashioned detective work, and the secret police are all woven together in this rich and fascinating tapestry.” ( ) “An amazing, fast-paced story in a fantasy world poised dangerously on the edge of quantum probability, a world where angels war with reality.” (Peter F. Hamilton) “I absolutely loved WOLFHOUND CENTURY. Higgins’s world is a truly original creation, Russian cosmism and Slavic mythology filtered through steampunk and le Carré. What really captured me was his beautiful style and language: his metaphors and associations flow smoothly like the waters of the Mir, and, like Lom without his angel stone, make you see the world in a new way.” (Hannu Rajaniemi) “Like vintage Mieville or Vandermeer, but with all the violent narrative thriller drive of Fleming at his edgiest. I fell into and devoured it in three days flat. Peter Higgins is a great discovery, a gifted writer with a route map to some fascinating new dark corners of the imagination, and a fine addition to the contemporary fantasy canon.” (Richard Morgan)