“Very well, we’ll make a trial run,” said the sage. And he took all the King’s measurements, as if for a suit of clothes, though with much greater precision, since every atom was carefully plotted and weighed, and then he fed the program into the Black Box and said:
“Behold!”
The King peered inside and saw himself sitting by the fire and reading in an ancient book about the Princess Ineffabelle, then rushing out to find her, asking here and there, until in the heart of the gold-plated desert he came upon a humble hut and a snow-white patriarch, who greeted him with the words, “Thou seekest Ineffabelle, poor wretch!” And so on.
“Surely now thou art convinced,” said the patriarch, switching it off. “This time I shall program thee in the Middle Ages, at the side of the sweet Ineffabelle, that thou mayest dream with her an unending dream, simulated, nonlinear, binary…”
“Yes, yes, I understand,” said the King. “But still, it’s only my likeness, not myself, since I am right here and not in any Box!”
“But thou wilt not be here long,” replied the sage with a kindly smile, “for I shall attend to that…”
And he pulled out a hammer from under the bed, a heavy hammer, but serviceable.
“When thou art locked in the arms of thy beloved,” the patriarch told him, “I shall see to it that there be not two of thee, one here and one there, in the Box—employing a method that is old and primitive, yet never fails, so if thou wilt just bend over a little…”
“First let me take another look at your Ineffabelle,” said the King. “Just to make sure…”
The sage lifted the lid of the Black Box and showed him Ineffabelle. The King looked and looked, and finally said:
“The description in the ancient volume is greatly exaggerated. She’s not bad, of course, but nowhere near as beautiful as it says in the chronicles. Well, so long, old sage…”
And he turned to leave.
“Where art thou going, madman?!” cried the patriarch, clutching his hammer, for the King was almost out the door.
“Anywhere but in the Box,” said Zipperupus and hurried out, but at that very moment the dream burst like a bubble beneath his feet, and he found himself in the vestibule facing the bitterly disappointed Subtillion, disappointed because the King had come so close to being locked up in the Black Box, and the Lord High Thaumaturge could have kept him there forever…
“Listen here, Sir Cybernerian,” said the King, “these dreams of yours with princesses are a great deal more trouble than they’re worth. Now either you show me one I can enjoy—no tricks, no complications—or leave the palace at once, and take your cabinets with you!”
“Sire!” Subtillion replied. “I have just the dream for you, the finest quality and tailor-made. Only give it a try, and you’ll see I’m right!”
“Which one is that?” asked the King.
“This one, Your Highness,” said the Lord High Thaumaturge, and pointed to the little pearl plaque with the inscription: “Mona Lisa, or The Labyrinth of Sweet Infinity.”
And before the King could answer yea or nay, Subtillion himself took the chain to plug him in, and quickly, for he saw that things were going none too well: Zipperupus had escaped eternal imprisonment in the Black Box, too thickheaded to fall completely for the captivating Ineffabelle.
“Wait,” said the King, “let me!”
And he pushed in the plug and entered the dream, only to find himself still himself, Zipperupus, standing in the palace vestibule, and at his side, Subtillion the Cybernerian, who explains to him that of all the dreams, “Mona Lisa” is the most dissolute and dissipated, for in it is the infinite in femininity; hearing this, Zipperupus plugs in and looks about for Mona Lisa, already yearning for her infinitely feminine caress, but in this dream within a dream he finds himself still in the palace vestibule, the Lord High Thaumaturge at his side, so impatiently plugs into the cabinet and enters the next dream, but it’s still the same, the vestibule, the cabinets, the Cybernerian and himself. “Is this a dream or isn’t it?” he shouts, plugging in again, and once again there’s the vestibule, the cabinets, the Cybernerian; and again, but it’s still the same; and again and again, faster and faster. “Where’s Mona Lisa, knave?!” he snarls, and pulls the plug to wake—but no, he’s still in the vestibule with the cabinets! Furious, he stamps his feet and hurls himself from dream to dream, from cabinet to cabinet, from Cybernerian to Cybernerian, but now he doesn’t care about the dream, he only wants to get back to reality, back to his beloved throne, the court intrigues and old iniquities, and he pulls and pushes the plugs in a blind frenzy. “Help!” he cries, and, “Hey! The King’s in danger!” and, “Mona Lisa! Yoo-hoo!,” while he thrashes around in terror and scrambles wildly from corner to corner, looking for a chink in the dream, but in vain. He did not understand the how, the why or the what of it, but his stupidity could not save him, nor could his cowardice, nor his inordinate greed, for this time he had gotten himself in too deep, and was trapped and wrapped in dreams as if in a hundred tight cocoons, so that even when he managed, straining with all his might, to free himself from one, that didn’t help, for immediately he fell into another, and when he pulled his plug from the cabinet, both plug and cabinet were only dreamed, not real, and when he beat Subtillion, Subtillion too turned out to be a dream. Zipperupus leaped here and there, and everywhere, but wherever he leaped, everything was a dream, a dream and nothing but a dream, the doors, the marble floors, the gold-embroidered walls, the tapestries, the halls, and Zipperupus too, he was a dream, a dream that dreamed, a walking shadow, an empty apparition, insubstantial, fleeting, lost in a labyrinth of dreams, sinking ever deeper, though still he bucked and kicked—only that too was purely imaginary! He punched Subtillion in the nose, but not really, roared and howled, but nothing real came out, and when at last, dazed and half-crazed, he really did tear his way into reality, he thought it was a dream and plugged himself back in, and then it really was, and on he dreamed, and on and on, which was inevitable, and thus Zipperupus, whimpering, dreamed of waking in vain, not knowing that ‘Mona Lisa’ was—in reality—a diabolical code for ‘monarch-olysis,’ that is: the dissolution, dissociation and total dissipation of the King. For truly, of all Subtillion’s treacherous traps, this was the most terrible…
Such was the tale, moving and improving, that Trurl told to King Thumbscrew the Third, who by now had a splitting headache and so dismissed the constructor without further ado, presenting him first with the Order of the Sacred Cy-bernia, a lilac sign of feedback upon a field of green, in-crusted with precious bits of information.
And with these words the second storytelling machine ground to a halt, its golden gears whirring musically, and gave a giddy little laugh, for a few of its klystrons had overheated slightly; but it lowered its anode potential, waved away the smoke, sighed and retreated to the photon phaeton, accompanied by much applause, the reward for its eloquence and storytelling skill.
King Genius meanwhile offered Trurl a cup of ion mead, wondrously carved with curves of probability and the subtle play of quantum waves. Trurl quaffed it down, then snapped his fingers, whereupon the third machine stepped out into the center of the cave, bowed low and said, in a voice that was tonic, euphonic, and most electronic:
This is the story of how the Great Constructor Trurl, with the aid of an ordinary jug, created a local fluctuation, and what came of it.
In the Constellation of the Wringer there was a Spiral Galaxy, and in this Galaxy there was a Black Nebula, and in this Nebula were five sixth-order clusters, and in the fifth cluster, a lilac sun, very old and very dim, and around this sun revolved seven planets, and the third planet had two moons, and in all these suns and stars and planets and moons a variety of events, various and varying, took place, falling into a statistical distribution that was perfectly normal, and on the second moon of the third planet of the lilac sun of the fifth cluster of the Black Nebula in the Spiral Galaxy in the Constellation of the Wringer was a garbage dump, the kind of garbage dump one might find on any planet or moon, absolutely average, in other words full of garbage; it had come into existence because the Glauberical Aberracleans once waged a war, a war of the fission-and-fusion type, against the Albumenid Ifts, with the natural result that their bridges, roads, homes and palaces, and of course they themselves, were reduced to ashes and shards, which the solar winds blew to the place whereof we speak. Now for many, many centuries positively nothing took place in this garbage dump but garbage, though an earthquake did occur and shifted the garbage on the bottom to the top, and the garbage on the top to the bottom, which in itself had no particular significance, and yet this paved the way for a most unusual phenomenon. It so happened that Trurl, the Fabulous Constructor, while flying in the vicinity, was blinded by a certain comet with a garish tail. He fled its path, frantically jettisoning out the spaceship window whatever lay in reach—chess pieces, the hollow kind, which he’d filled with liquor for the trip, some barrels the Ubbidubs of Chlorelei employed for the purpose of compelling their opponents to yield, as well as assorted utensils, and among these, an old earthenware jug with a crack down the middle. This jug, accelerating in accordance with the laws of gravity and boosted by the comet’s tail, crashed into a mountainside above the dump, fell, clattered down a slope of junk toward a puddle, skittered across some mud, and finally smacked into an old tin can; this impact bent the metal around a copper wire, also knocked some pieces of mica between the edges, and that made a condenser, while the wire, twisted by the can, formed the beginnings of a solenoid, and a stone, set in motion by the jug, moved in turn a hunk of rusty iron, which happened to be a magnet, and this gave rise to a current, and that current passed through sixteen other cans and snips of wire, releasing a number of sulfides and chlorides, whose atoms linked with other atoms, and the ensuing molecules latched onto other molecules, until, in the very center of the dump, there came into being a Logic Circuit, and five more, and another eighteen in the spot where the jug finally shattered into bits. That evening, something emerged at the edge of the dump, not far from the puddle which had by now dried up, and this something, a creature of pure accident, was Mymosh the Selfbegotten, who had neither mother nor father, but was son unto himself, for his father was Coincidence, and his Mother—Entropy. And Mymosh rose up from the garbage dump, totally oblivious of the fact that he had about one chance in a hundred billion jillion raised to the zillionth power of ever existing, and he took a step, and walked until he came to the next puddle, which had not as yet dried up, so that, kneeling over it, he could easily see himself. And he saw, in the surface of the water, his purely accidental head, with ears like muffins, the left one crushed and the right a trifle underdone, and he saw his purely accidental body, a potpourri of pots and pegs and flotsam, and somewhat barrel-chested, in that his chest was a barrel, though narrower in the middle, like a waist, for in crawling out from under the garbage, he had scraped against a stone right there; and he gazed upon his littery limbs, and counted them, and as luck would have it, there were two arms, two legs and, fortuitously enough, two eyes too, and Mymosh the Selfbegotten took great delight in his person, and sighed with admiration at the narrowness of the waist, the symmetrical arrangement of the limbs, the roundness of the head, and was moved to exclaim: —Truly, I am beautiful, nay, perfect, which clearly implies the Perfection of All Created Things!! Ah, and how good must be the One Who fashioned me!
And he hobbled on, dropping loose screws along the way (since no one had tightened them properly), humming hymns in praise of the Everlasting Harmony of Providence, but on the seventh step he tripped and went headlong back down into the garbage, after which he did nothing but rust, corrode and slowly disintegrate for the next three hundred and fourteen thousand years, for he had fallen on his head and shorted out, and was no more. And at the end of this time it came to pass that a certain merchant, carrying a shipment of sea anemones from the planet Medulsa to the Thrycian Stomatopods, quarreled with his assistant as they neared the lilac sun, and hurled his shoes at him, and one of these broke the porthole window and flew out into space, where its subsequent orbit subsequently experienced perturbation, due to the circumstance that that very same comet, which had ages past blinded Trurl, now found itself in the very same locality, and so the shoe, turning slowly, hurtled towards the moon, was singed a little by the atmospheric friction, bounced off the mountainside above the dump, fell, and booted Mymosh the Selfbegotten, lying there, with just the right resultant impulse and at just the right angle of incidence to create just the right torsions, torques, centrifugal forces and angular momenta needed to reactivate the accidental brain of that accidental being— and in this way: Mymosh, thus booted, went flying into the nearby puddle, where his chlorides and iodides mingled with the water, and electrolyte seeped into his head and, bubbling, set up a current there, which traveled around and about, till Mymosh sat up in the mud and thought the following thought: —Apparently, I am!
That, however, was all he was able to think for the next sixteen centuries, and the rain beat down upon him, and the hail pommeled him, and all the while his entropy increased and grew, but after another thousand five hundred and twenty years, a certain bird, flapping its way over the terrain, was attacked by some swooping predator, and relieved itself out of fright and also to increase its speed, and the droppings dropped and hit Mymosh square on the forehead, whereupon he sneezed and said:
—Yes, I am! And there’s no apparently about it! Yet the question remains, who is it who says that I am? Or, in other words, who am I? Now, how may this be answered? H’m! If only there was something else besides me, any sort of something at all, with which I might juxtapose and compare myself—that would be half the battle. But alas, there’s not a thing, for I can plainly see that I see nothing whatsoever! Therefore there’s only I that am, and I am everything that is and may be, for I can think in any way I like, but am I then—an empty space for thought, and nothing more?
In point of fact he no longer possessed any senses; they had decayed and crumbled to dust over the centuries, since Entropy, the bride of Chaos, is a cruel and implacable mistress. Consequently Mymosh could not see his mother-puddle, nor his brother-mud, nor the whole, wide world, and had no recollection of what had happened to him before, and generally was now capable of nothing but thought. This alone could he do, and so devoted himself wholeheartedly to it.