Patience, doctor. A thing like this can't be rushed. We're talking about brutality and death, the murder of the innocent, and Graf is still reeling from the shock of his discovery. He's in no shape to absorb what's happened, but even if he were, why would he think Land had anything to do with it? He's working on the assumption that his old friend is trying to start a rebellion, to form an army of Primitives that will invade the western provinces of the Confederation. An army of dead men can't fight very well, can it? The last thing Graf would conclude is that Land has killed his own future soldiers.
I'm sorry. I won't interrupt anymore.
Interrupt all you like. We're involved in a complicated story here, and not everything is quite what it seems to be. Take Land's troops, for example. They have no idea what their real mission is, no idea that Land is a double agent working for the Ministry of War. They're a bunch of well-educated dreamers, political radicals opposed to the Confederation, and when Land enlisted them to follow him into the Alien Territories, they took him at his word and assumed they were going to help the Primitives annex the western provinces.
Does Graf ever find Land?
He has to. Otherwise, there wouldn't be any story to tell. But that doesn't happen until later, until several weeks or months down the road. About two days after Graf leaves the massacred Gangi village, he comes across one of Land's men, a delirious soldier staggering through the desert with no food, no water, no horse. Graf tries to help him, but it's already too late, and the kid hangs on for just a few more hours. Before he gives up the ghost, he raves on to Graf in a stream of incoherent babble about how everyone is dead, how they never had a chance, how the whole thing was a fraud from the start. Graf has trouble following him. Who does he mean by everyone? Land and his troops? The Gangi? Other tribes among the Primitives? The boy doesn't answer, and before the sun goes down that evening, he's dead. Graf buries the body and moves on, and a day or two after that, he comes to another Gangi settlement filled with corpses. He no longer knows what to think. What if Land is responsible, after all? What if the rumor of an insurrection is no more than a blind to cover up a far more sinister undertaking: a quiet slaughter of the Primitives that would enable the government to open their territory to white settlement, to expand the reach of the Confederation all the way to the shores of the western ocean? And yet, how can such a thing be accomplished with such a paucity of troops? One hundred men to wipe out tens of thousands? It doesn't seem possible, and yet if Land has nothing to do with it, then the only other explanation is that the Gangi were killed by another tribe, that the Primitives are at war among themselves.
Mr. Blank is about to continue, but before he can get another word out of his mouth, he and the doctor are interrupted by a knocking at the door. Engrossed as he is in elaborating the story, content as he is to be spinning out his version of far-flung, imaginary events, Mr. Blank instantly understands that this is the moment he's been waiting for: the mystery of the door is about to be solved at last. Once the knock is heard, Farr turns his head in the direction of the sound. Come in, he says, and just like that the door opens, and in walks a woman pushing a stainless steel cart, perhaps the same one Anna used earlier, perhaps one that is identical to it. For once, Mr. Blank has been paying attention, and to the best of his knowledge he heard no sound of a lock being opened—nothing that resembled the sound of a bolt or a latch or a key—which would suggest that the door was unlocked to begin with, unlocked all along. Or so Mr. Blank surmises, beginning to rejoice at the thought of his liberty to come and go as he wants, but a moment later he understands that things are possibly not quite as simple as that. It could be that Dr. Farr forgot to lock the door when he entered. Or, even more likely, that he didn't bother to lock it, knowing he would have no trouble overpowering Mr. Blank if his prisoner tried to escape. Yes, the old man says to himself, that's probably the answer. And he, who is nothing if not pessimistic about his prospects for the future, once again resigns himself to living in a state of constant uncertainty.
Hello, Sam, the woman says. Sorry to barge in on you like this, but it's time for Mr. Blank's lunch.
Hi, Sophie, Farr says, simultaneously looking down at his watch and standing up from the bed. I hadn't realized it was so late.
What's happening? Mr. Blank asks, pounding the arm of his chair and speaking in a petulant tone of voice. I want to go on telling the story.
We've run out of time, Farr says. The consultation is over for today.
But I haven't finished! the old man shouts. I haven't come to the end!
I know, Farr replies, but we're working on a tight schedule around here, and it can't be helped. We'll go on with the story tomorrow.
Tomorrow? Mr. Blank roars, both incredulous and confused. What are you talking about? Tomorrow I won't remember a word I said today. You know that. Even I know that, and I don't know a blasted thing.
Farr walks over to Mr. Blank and pats him on the shoulder, a classic gesture of appeasement for one skilled in the subtle art of bedside manner. All right, he says, I'll see what I can do. I have to get permission first, but if you want me to come back this evening, I can probably work it out. Okay?
Okay, Mr. Blank mumbles, feeling somewhat mollified by the gentleness and concern in Fair's voice.
Well, I'm off then, the doctor announces. See you later.
Without another word, he waves good-bye to Mr. Blank and the woman called Sophie, walks to the door, opens it, steps across the threshold, and shuts the door behind him. Mr. Blank hears the click of the latch, but nothing more. No clatter of a bolt, no turning of a key, and he wonders now if the door isn't simply one of those contraptions that locks automatically the instant you close it.
All the while, the woman called Sophie has been busy wheeling the stainless steel cart alongside the bed and transferring the various dishes of Mr. Blank's lunch from the bottom shelf of the cart to the upper surface. Mr. Blank notes that there are four dishes in all and that each plate is hidden by a round metal cover with a hole in the center. Seeing those covers, he is suddenly reminded of room-service meals in hotels, which in turn provokes him to speculate on how many nights he has spent in hotels over the course of his life. Too many to count, he hears a voice within him say, a voice that is not his own, at least not a voice he recognizes as his own, and yet because it speaks with such authority and conviction, he acknowledges that it must be telling the truth. If that is the case, he thinks, then he has done a good deal of traveling in his time, moving around from place to place in cars, trains, and airplanes, and yes, he further says to himself, airplanes have taken him all over the world, to many countries on several continents, and no doubt those trips had something to do with the missions he sent all those people on, the poor people who suffered so much because of him, and that is surely why he is confined to this room now, no longer permitted to travel anywhere, stuck inside these four walls because he is being punished for the grave harm he has inflicted on others.
This fleeting reverie is cut off in mid-flow by the sound of the woman's voice. Are you ready for your lunch? she asks, and as he lifts his head to take a look at her, Mr. Blank realizes that he can no longer remember her name. She is somewhere in her late forties or early fifties, and although he finds her face both delicate and attractive, her body is too full and chunky to allow her to be classified as an ideal woman. For the record, it should be noted that her clothes are identical to the ones worn by Anna earlier in the day.
Where's my Anna? Mr. Blank asks. I thought she was the one who takes care of me.
She does, the woman says. But she had some last-minute errands to do, and she asked me to fill in for her.
That's terrible, Mr. Blank says, in a mournful tone of voice. Nothing against you, of course, whoever you might be, but I've been waiting for hours to see her again. That woman is everything to me. I can't live without her.
I know that, the woman says. We all know that. But—and here she gives him a friendly little smile—what can I do about it? I'm afraid you're stuck with me.
Alas, Mr. Blank sighs. I'm sure you mean well, but I'm not going to pretend I'm not disappointed.
You don't have to pretend. You have the right to feel what you feel, Mr. Blank. It's not your fault.
As long as we're stuck with each other, as you put it, I suppose you should tell me who you are.
Sophie.
Ah. That's right. Sophie … A very pretty name. And it begins with the letter S, doesn't it?
It would seem so.
Think back, Sophie. Are you the little girl I kissed at the pond when I was ten years old? We had just finished ice skating, and then we sat down on a tree stump, and I kissed you. Unfortunately, you didn't kiss me back. You laughed.